While spending the summer with their grandparents on a remote farm in South Carolina, Ben Alderman and his sister Casey uncover a hidden world of magic; a world their grandmother is secretly visiting. It is a world where elves and dwarves are locked in mortal combat against a witch who is trying to free the last surviving wizard from exile. The witch has been defeated once before but with the combined power of the wizard, no one will be able to stand against them. Much to Ben's dismay, he learns that he is the one foretold in the ancient elfin prophecies to bring about the downfall of the witch and save this exciting new world from destruction.

While spending the summer with their grandparents on a remote farm in South Carolina, Ben Alderman and his sister Casey uncover a hidden world of magic; a world their grandmother is secretly visiting. It is a world where elves and dwarves are locked in mortal combat against a witch who is trying to free the last surviving wizard from exile. The witch has been defeated once before but with the combined power of the wizard, no one will be able to stand against them. Much to Ben's dismay, he learns that he is the one foretold in the ancient elfin prophecies to bring about the downfall of the witch and save this exciting new world from destruction.

Sometimes, when you open the door to the past, what you confront is your destiny.

Reclusive author Vida Winter, famous for her collection of twelve enchanting stories, has spent the past six decades penning a series of alternate lives for herself. Now old and ailing, she is ready to reveal the truth about her extraordinary existence and the violent and tragic past she has kept secret for so long. Calling on Margaret Lea, a young biographer troubled by her own painful history, Vida disinters the life she meant to bury for good. Margaret is mesmerized by the author's tale of gothic strangeness -- featuring the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess,a topiary garden and a devastating fire. Together, Margaret and Vida confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves.

Settle down to enjoy a rousing good ghost story with Diane Setterfield's debut novel, The Thirteenth Tale. Setterfield has rejuvenated the genre with this closely plotted, clever foray into a world of secrets, confused identities, lies, and half-truths. She never cheats by pulling a rabbit out of a hat; this atmospheric story hangs together perfectly.

There are two heroines here: Vida Winter, a famous author, whose life story is coming to an end, and Margaret Lea, a young, unworldly, bookish girl who is a bookseller in her father's shop. Vida has been confounding her biographers and fans for years by giving everybody a different version of her life, each time swearing it's the truth. Because of a biography that Margaret has written about brothers, Vida chooses Margaret to tell her story, all of it, for the first time. At their initial meeting, the conversation begins:

"You have given nineteen different versions of your life story to journalists in the last two years alone."

She [Vida] shrugged. "It's my profession. I'm a storyteller."

"I am a biographer, I work with facts."

The game is afoot and Margaret must spend some time sorting out whether or not Vida is actually ready to tell the whole truth. There is more here of Margaret discovering than of Vida cooperating wholeheartedly, but that is part of Vida's plan. The transformative power of truth informs the lives of both women by story's end, and The Thirteenth Tale is finally and convincingly told. --Valerie Ryan

• ISBN13: 9780064410168
• Condition: New
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Like an off-key violin concert, the Roman Empire, or food poisoning, all things must come to an end. Thankfully, this includes A Series of Unfortunate Events by Lemony Snicket. The thirteenth and final installment in the groundbreaking series will answer readers′ most burning questions: Will Count Olaf prevail? Will the Baudelaires survive? Will the series end happily? If there′s nothing out there, what was that noise?

Then again, why trouble yourself with unfortunate resolutions? Avoid the thirteenth and final book of Lemony Snicket′s international bestselling series and you′ll never have to know what happens.

Ages 10+

Picking up from the final pages of the Pentultimate Peril, this farewell installment to the ridiculously (and deservedly!) popular A Series of Unfortunate Events places our protagonists right where we last left them: on a large, wooden boat in the middle of the ocean, trapped with their nemesis Count Olaf, who has armed himself with a helmet-full of deadly Medusoid Mycelium.

The situation quickly and--this being the Baudelaires--predictably deteriorates. Violet, Klaus, and Sunny find themselves tossed in a storm so terrible that our beloved narrator spends four pages describing how he cannot describe it. From this point on, fans of the series' smarty-pants wordplay and acrobatic narrative can rest assured that they're in for more of the same (and how) in this 368-page finale, and Daniel Handler's deadpan Snicket continues to tutor a generation in self-referential humor (including one particularly funny bit regarding three very short men carrying a large, flat piece of wood, painted to look like a living room). Snicket notes, of course, that if you read the entire series, "your only reward will be 170 chapters of misery in your library and countless tears in your eyes."

There's one big question, though, for anyone who's made it through "the thirteenth chapter of the thirteenth volume in this sad history": is the final book a fitting end? That question is probably best-answered by one of The End's most oft-repeated phrases: It depends on how you look at it. Those looking for conclusive resolution to the series' many, many mysteries may be disappointed, although some big questions do get explicit answers. Not surprisingly for a work so deliberately labyrinthine, though, even the absence of an answer can be sort of an answer--and reaction to The End can be something of a Rorschach test for readers. Or, as Lemony Snicket says, "Perhaps you don’t know yet what the end really means." --Paul Hughes